Biography:
Selected One-Person Exhibitions:
The Post Apocalyptic Tattoo, Lunarbase, Williamsburg-Brooklyn, NY, 2005
After the Rain, Delaware Valley Arts Alliance, Narrowsburg, NY, 2003
Art/Ex Gallery, Stamford Museum and Nature Center, Stamford, CT, Reverse Collage, 1997
Sign Symbol Surrealism, Portico New York, Inc., New York, NY, 1990
Beaulah Land, New York, NY, 1986
Selected Group Exhibitions:
Character Development, The Shore Institute of Contemporary Art (SICA), Long Branch, NJ, 2005.
Character Development, Silvermine Guild, New Canaan, CT, 2005.
Cursive, Tenri Cultural Institute of New York, New York, NY, 2005.
Grand Opening Exhibition, The Shore Institute of Contemporary Art (SICA), Long Branch, NJ, 2004.
Black & White: D. Dominick Lombardi, Lucio Pozzi, Ed Smith, Time and Space Ltd., Hudson, NY, 2004.
Blast, Branchville Gallery, Ridgefield, CT, 2004.
Lisa Boyle Gallery, Chicago, Il, 2004.
Painter’s Forms, The Workspace Gallery, New York, NY, curated by Nell Ogorzaly, 2003.
Miraculous: Contemporary Exvotos Paintings, chez TGN, Brooklyn, NY, Curated by Trong Nguyen, 2003.
People,Places,Things, dfn Gallery, New York, NY, 2003.
Drawing Conclusions II, NY Arts Magazine Gallery, New York, NY, Curated by Jill Connor and Gae Savannah
Drawing Conclusions: Work by Artist-Critics, NY Arts Magazine Gallery, New York, NY, Curated by Judy Collischan , traveling to: Berliner Kunstprojekt, Berlin, Germany, 2003.
Characterism, Williamsburg Art & Historical Center, Brooklyn, NY, 2003.
Westchester Community College Faculty Art Show, WCC Fine Arts Gallery, Valhalla, NY, 2003.
Six Approaches, Marist Art Gallery, Marist College, Poughkeepsie, NY, Curated By Donise English, 2002
Re-Figured, Bancroft Gallery, South Shore Art Center, Cohasset, MA, 2002
Ketilhusid Museum, Akureyri, Iceland, traveling to: Pakkhusid, Olafsfjordur, Iceland; Hafnarborg Institute of Culture and Fine Art, Hafnarborg Museum, Hrafnarfurdor, Iceland, 2002
Reactions, Exit Art, New York, NY, traveling to: Alyce de Roulet Williamson Gallery, Pasadena, CA, 2002
Metro-North: Abstract Painting from the Metropolitan New York Region, Schweinfurth Art Center, Auburn, NY, Curated by Kenise Barnes, 2001
Gallery Ófeigur, Reykjavík, Iceland, 2001
Summer Show, dfn Gallery, New York, NY, 2000
Best of the Art-Ex 95-2000, University of Connecticut Stamford Branch Gallery, Stamford, CT
Show Your Work: The Process Behind the Pieces, Pelham Art Center, Pelham, NY, 1999
ABSOLUT SECRET New York, McKee Gallery, New York, NY, 1999
International Folding Fan Exhibition, Kitamura Art Gallery, Iida, Nagano, Japan, 1998.
Art As Spectacle, Katonah Museum of Art, Katonah, NY, 1998
Interstate I95, John Slade Ely House, New Haven, CT, 1998.
New Art Annual, Stamford Museum, Stamford, CT, 1997
31st Annual Open Exhibition, San Bernardino County Museum, Redlands, CA, 1997
Assemblage: More Than Meets The Eye, Pace University Gallery/Choate House, Pleasantville, NY, 1997.
All-Of-A-Piece, Katonah Museum of Art, Katonah, NY, 1995
15th Annual Faber Birren Color Show, Stamford Museum, Stamford, CT, 1995
Small Works International, Amos Eno Gallery, New York, NY, 1994
Kunstraum, Cologne, Germany, 1994
Art Chicago International, Chicago, IL, 1993
Silpakorn University Art Gallery, Bangkok, Thailand, accompanying catalogue, 1993
Kunstraum, Cologne, Germany, 1993
Art Cologne, Intenationaler Kunstmarkt, Cologne, Germany, 1992
Gallery of Zhejiang Academy of Fine Arts, Hangzhou, China, 1992
Art Cologne, Intenationaler Kunstmarkt, Cologne, Germany, accompanying catalogue, 1991
Exhibition of Painting and Sculpture, Berkshire Museum, Pittsfield, MA, accompanying catalogue, 1991
Neo-Dada, Mid-Hudson Arts & Science Center, Poughkeepsie, NY, Curated by Billy Name and Bob Pucci, 1991
Art Cologne, Intenationaler Kunstmarkt, Portico Gallery, Cologne, Germany, 1990
75th Anniversary Exhibition (1915-1990), Hudson River Museum, Yonkers, NY, 1990.
14th Annual "small works,” 80 Washington Square East Gallery, New York, NY, 1990.
Art Cologne, Intenationaler Kunstmarkt, Portico Gallery, Cologne, Germany, 1989
Hudson Valley ‘89,Mid-Hudson Arts & Science Center/Barrett House, Poughkeepsie, NY, 1989.
Hudson River Open, Hudson River Museum, Yonkers, NY, 1989.
Calgene Contemporary Fine Arts Competition, Natsoulas Novelozo Gallery, Davis, CA, 1989.
Grass Roots Exhibition, Gallery at Hastings-on-Hudson, Hastings-on-Hudson, NY, 1988.
Bridgewater/Lustberg Gallery, New York, NY, 1986.
EV Gallery, New York, NY, 1986.
Gambling Show, Public Image Gallery, New York, NY, 1986.
Tar Beach, Native Sun, New York, NY, 1986.
Books, Grants and Awards:
New American Paintings, number 32, Northeastern, The Open Studio Press, Wellesley, MASS, 2001.
Writing Residencies in Akureyri and Reykjavík, Sponsor: Reykjavík Art Museum, Reykjavík, Iceland, 2001.
Special Opportunity Stipend, New York Foundation for the Arts (Mid-Hudson Region), Garrison Art Center, Garrison, NY, February, 1999.
Dorothy Mayhall Memorial Award, Stamford Museum, New Art Annual ‘97, Stamford, CT, 1997 (Curator: Ann Philbin: Director, The Drawing Center, New York, NY)
Selected Bibliography:
-L. P Streifeld, “New Gallery Opens with a Blast,” The Advocate & Greenwich Time, (June 6, 2004) pp. D3 - D4.
-William Zimmer, “Narratives in Charcoal and Ink,” The New York Times, (December 1, 2002) pp. 10 (we)
-Maureen Mullarkey, “November, In & Out Of Town: Watercolor at the New York Studio School; Drawings at Marist College,” http://www.maureenmullarkey.com/essays/marist.html, (November, 2002)
-Katherine Gass, “Re-Figured, South Shore Art Center,” Art New England, (September 2002)
-William Zimmer, “Form, Color and More from 25 Artists,” The New York Times, (August 13, 2000) pp. 17 (ct).
-William Zimmer, “The 20th Century, Two Viewpoints in Sculpture and Collage,” The New York Times, (January 18, 1998) pp. 18 (ct).
-Vivien Raynor, “Show With Images of Food, but Not for the Hungry," The New York Times, (April 26, 1998) pp. 20 (WE).
-Vivien Raynor, “Professionals Dominate in Show With Outsiders at Pace Gallery,” The New York Times, (April 6, 1997) pp. 18 (wc).
-Vivien Raynor, “A Show Celebrating Icons, But Not Just Figural or Sacred,” The New York Times, (December 22, 1996) pp. 12 (wc).
-Vivien Raynor, “More Fuel for the Debate on Abstraction,” The New York Times, (February 18, 1996) pp. 20 (wc).
Selected Collections:
Queens Museum of Art, Queens, NY
Malka Lubelski Foundation, New York, NY
The Library of Congress, Washington, D.C.
Solomon Center for Learning and Technology, Empire State College, State University of New York, Saratoga Springs, NY
Noel Dimalanta, Chicago, IL
Andrew Zipkes, Chicago, IL
Reinhard Dieckert, Cologne, Germany
Siegbert and Uschi Schneider, Ettlingen, Germany
Alfred Bioleck, Cologne, Germany
E. Koepp, Essen, Germany
Herbert E. Nass, New York, NY
Michael Black, New York, NY
Mary Louise Pierson, Bedford Center, VT
The Robert Jones Estate, New York, NY
|
